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From
morganwolf: BILL & TED'S EXCELLENT INCEPTION. It's hysterical. Watch it.
Other, actual thoughts after seeing the movie for the fourth time, yesterday, with Cathy (who was THE BEST movie watching partner!):
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Other, actual thoughts after seeing the movie for the fourth time, yesterday, with Cathy (who was THE BEST movie watching partner!):
- I already knew that the kids are definitely different in the beginning and the end, but when Cobb sees Philippa and James in
the second dream layer, right outside the hotel barlimbo toward the end (when he's there with Ariadne, and Mal calls the children and Cobb looks away so he doesn't see their faces), it's the older girl, but she's dressed as the younger. WHAT DOES THIS MEAN, CHRISTOPHER NOLAN? - This has happened to me since the first time I saw the movie. Every time Saito or Cobb (or both) say the lines "...or become an old man, filled with regret, waiting to die alone...", I think of the "Tomorrow and tomorrow and tomorrow" soliloquy from Hamlet, specifically this part: "...it is a tale/ Told by an idiot, full of sound and fury/ Signifying nothing." AM I THE ONLY ONE WHO MAKES THIS ASSOCIATION? The Inception quote isn't in iambic pentameter or anything, so I'm trying to figure out why the cadence of it makes me think of the soliloquy EVERY TIME WITHOUT FAIL.