Closing out NOIRVEMBER with a double feature! Both movies are not only based on the same story, but are from the same studio. I thought it'd be fun to do a comparison. :P


I Wake Up Screaming

A 1941 movie produced by 20th Century Fox and directed by H. Bruce Humberstone. It's based on the 1941 novel (of the same name) by Steve Fisher.

Frankie Christopher (played by Victor Mature) is a promoter/PR guy. One night, he's at a cafe with two male friends: a washed-up actor and a gossip columnist. All three are 😍😈🥴🤤 with Vicki (played by Carole Landis), their waitress.

While talking abt how beautiful Vicki is, Frankie starts to brag that he has the power to turn Vicki from a simple waitress and into a celebrity. The other guys are like PFFT, YOU WISH.

In any case, Frankie DOES manage to make Vicki v. popular, having her picture taken in society pages, etc. Along the way, he also meets Jill (played by THE Betty Grable), Vicki's sister. Jill and Frankie have a one-sided enmity (from Jill to Frankie.) She doesn't like how suave Frankie is, she doesn't trust them.

And then a murder occurs. . .

This is one of those movies that tends to pop up in Must-See Noirs lists. Funnily enough, I'd always thought I'd already watched it and had forgotten abt it. The ONLY reason why I watched it this time (which led me to realize that it was an actually brand new watching experience) is cuz I wanted to "refresh my (nonexistent) memory" before I watched Vicky.

IN ANY CASE, I was NOT READY for this movie. Oftentimes, when I'm watching a new-to-me noir, I'm having a good time. THIS MOVIE HAD ME ON THE EDGE OF MY SEAT! Between the twists, turns, and general WTF-ery from some of the characters . . . OOOF!

I also loved the cinematography by Edward Crongjager was CHEF'S KISS.

Victor Mature was SOLID. He does know how to play a "cool" type of guy. As the movie progresses, he finds himself getting cornered and it's really neat to see Mature's Frankie react and figure out what to do when the rules of the game go against him.

And then, there's Laird Cregar as Ed Cornell, a detective whose single-minded pursuit of Frankie is quite O__o.

The film's pacing is great too. Everyone brings their A game. Plus you know it's gonna be a good time when Elisha Cook Jr. is part of the cast as Harry, the front desk guy at the apartment building Jill and Vicky live at.


Do I have any criticisms?

There are two.

Carol Landis as Vicki was mehhhhh. I didn't find her presence (which is supposed to be alluring AF) convincing at all.

The other thing is that this movie uses two songs so many times that it might drive you bonkers: "Street Scene" and "Over the Rainbow." To date, I don't think anyone knows why the producing team thought the latter song was a great fit for this movie cuz it wasn't!

At some point, I began to tune it out/ignore it cuz they legit play it a lot!


Do I recommend it?

Yeah, this movie has plot, acting, cinematography, pacing, etc. Although it does goes a bit off the rails during the last third AND I was kinda meh abt Landis PLUS the overusage of those two song, it's deffo worth watching. It tends to pop up on Mubi, TCM, plus the usual places.

I'm giving it a 3.7 out of 5


Queerness level:

Low.

Laird Cregar's version of Ed Cornell is not-quite-straight. There's nothing abt him that reads as straight. In addition, he's v. obsessed with Frankie. And whenever they interact, Cornell is sorta flirting with him. FWIW, Frankie always rebuffs him to which Cornell tends to reply with a "ah, you'll come around". Just lots of double entendre type of things.

Adding to that there's Larid Cregar himself. Now, I didn't know this until AFTER I watched the movie, but I did find out that he had a "complicated" sexuality (per his biographers.) He did have relationships with women, but he also had boyfriends.

When I watched this movie, I was kinda sure I was imagining things cuz Cornell gave me queer vibes. Go figure.


Le Trailer

Watch on YouTube

Vicky

A 1953 film from 20th Century Fox that was directed by Harry Horner. The script is based on the novel I Wake Up Screaming by Steve Fisher.

Since this movie pretty much follows the same plot as the 1941 film, I'm skipping over the summary.

This time around, we've got Jean Peters as Vicky, Jeanne Crain as her sister Jill, and Elliott Reed as Steve (instead of "Frankie") Christopher as the PR guy.

IMO, this movie has some good points when compared to the other film. The majority of the acting is good (there's one actor I was meh abt). Unlike I Wake Up Screaming, the soundtrack has variety.

Also, this version has a much more organic rhythm when it came to its plot. Frex, the way that Vicky and Steve meet felt a lot more natural. I wonder how much casting influenced their simpatico in this movie vs. the 1941 one. There are also a lot more scenes of Vicky and Jill where their sisterly dynamic is explored a ton this time around. It was v. clear how much they cared abt each other.

Jeanne Crain- - who I only know from A Letter to Three Wives and Leave Her to Heaven- - does really well in her role as Jill. She is, in some ways, the heart of the film.

One quirky note is that this movie has a mini reunion of male actors who have been in Marily Monroe movies. Elliot Reid (who played Steve Christopher here) was Jane Russell's love interest in Gentlemen Prefer Blondes. Meanwhile, Alexander D'arcy (who was Robin Ray in this movie) played one of Marilyn Monroe's suitors in How to Marry a Millionaire. He's the guy with the eyepatch (you'll know who I'm talking abt if you've watched the movie.)


Do I have any criticisms?

The tension (as far as finding out the murderer's identity) is way lower in this one. IMO, it has to do with two specific characters. Primarily Richard Boone as Det. Ed Cornell.

Whereas the Ed in the 1941 movie has a PRESENCE, someone who is tremendously good as a detective but also a Grade A WEIRDO, Boone's Ed never achieves the kind of brilliance and creepiness that's needed for that role. All that's shown is Boone's flat demeanor with random moments where he yells at ppl. He simply does not give out the same menacing vibes. *Hands* Because this is the first time I've ever seen that actor in anything, I can't tell if the fault lies on him OR on the direction he was given.

The other thing that made the movie lose momentum was when, right around the halfway point, the pacing just glides on. It's almost as if the plot didn't care abt building up any suspense.

Finally, in total opposition to how I felt during the last 20 mins of the 1941 film, the last 20 mins of Vicky went into full cheese, IDK.


Do I recommend it?

Not really? If you happen to catch a screening of it or find it somewhere, sure, maybe watch it. But it's not worth making any huge effort to experience it. OTOH, I don't regret watching it, BUT I liked having the chance to compare both films. I'm giving it a 2 out of 5.


Queerness level:

Nada.


Le Trailer

Watch on YouTube

Fallen Angel

A 1945 movie from 20th Century Fox that was directed by Otto Preminger. It's based on the novel Fallen Angel by Marty Holland.

Eric Stanton (played by Dana Andrews) is a swindler on a losing streak. Unable to pay the rest of his bus ticket to San Francisco, he's dropped off at the small town of Walton, CA. He ends up in a cafe, mulling on what he's gonna do next. While there, he notices Stella (played by Linda Darnell), a beautiful waitress, and goes gaga for her.

After pulling a small con and despite being invited to continue the scam in another town, Eric decides to stay cuz he's THAT gone for Stella. After starting to date her, he realizes that he's gonna need a lot of dough.

AT THE SAME TIME, he meets Clara (played by Anne Revere) and June (played by Alice Faye), two sisters who are v. wealthy. A plan begins to form . . .


Everyone's acting is on the level. Linda Darnell was LUMINOUS. I loved her every second she was on the screen. The story is pretty interesting and the directing is fine.

Fun fact: this was a reunion of sorts between Otto Preminger and Dana Andrews as they'd both worked together in 1941's Laura.


Do I have any criticisms?

Oh, do I!

The first thing is that pacing is a little off. For a movie that's an hour and 37 mins, the first 25 or so minutes are tedious. There were a few moments when I got close to quit watching. Though, thankfully, the movie made a fascianting turn at the 30-min mark and I was IN.

Also I was unable to warm up to June. Alice Faye did as good of a job as she could with such a wishy-washy role.

Which is related to a BIG SPOILER

Eric and June eventually get married and it's a v. strange relationship. He does woo her in a v. specific way that's also playful. It contrasts nicely with how lustful and turbulent his relationship with Stella is. And yet, after Eric and June get married, he resents having to go thru with his plan. As a result he takes it out on June. He becomes distant and brusque with her both in private AND public.

All this time, June is going alone with the mistreatment. She doesn't push back in any way. As a matter of fact, the one (1) time she yells at him is to let him know that she's his ride or die and she doesn't care who knows it. Her one goal in life now that she's his wife is to stick with him no matter what and no matter whatever it takes to protect him.

AND SHE'S DOING THIS FOR NO REASON OTHER THAN BEING IN LOVE WITH HIM!

Watching her become a doormat was irritating, NGL. It's clear that she's got a gentle personality from the moment they meet, but seeing her go all out for this guy was O__o. Even worse is that her yelling at him abt how much she loves him is what makes HIM realize that maybe June is a good person to be married to?!

I'd like to think that, in June's interior world, she was flattered that Eric married her. It was also a little unclear as to how much June wanted to gain some kind of independence from her older sister (they do care for each other, btw), IDK.

FWIW, I really didn't like June and Eric together.

Adding to that, I was never sure WHAT KIND OF CHARACTER Eric was? Not a good guy, not a villain, not an antihero . . . and yet, as the credits roll, he's REDEEMED by a woman's love because said woman never gave up on him or something. Especially given how poorly he treated her after they got married. 🤢

And that's what got me to lower the ranking by two full points. *Hands*


Do I recommend it?

I do? With the caveat that you HAVE to sit thru a full 30 mins for the movie to really kick in. OTOH, I'm SO at odds with this movie, NGL. On paper, it had a lot going for it: Otto Preminger in the director's chair, good actors like Linda Darnell and Dana Andrews, etc and yet, things never quite gelled this time around!

OTOH, it's not a trash movie. To me it's a C-level noir in my heart of hearts. Per what I know, you can find it streaming somewhere. I'm giving it a 2 out of 5.


Queerness level:

A whole lotta nothin'

Sleep, My Love

A 1948 film from Triangle Productions that was directed by Douglas Sirk. It's based on a novel by Leo Rosten.

Allison (played by Claudette Colrbet) wakes up in a train headed to Boston. Her confusion turns into panic. Last night, she'd gone to bed in her home in NYC. Now she's going somewhere with no idea how she got on the train or WHY her husband's gun is in her possession.

At the same time, her husband Richard (played by Don Ameche) has called the police to report Allison missing. But, just before the investigation gets going, she calls Richard from the train station. He sends her a plane ticket for her to return home . . .

I'm gonna be vague in order to keep the mystery of the plot under wraps.

FWIW, I'm not super familiar with Colbert's work outside of It Happened One Night, so my impression of her when I started watching this movie was v. incomplete. Like the rest of the cast, she does a decent job in her role as a devoted wife of a rich architect. To my utter lack of shock, I liked Robert Cummings as Bruce, a friend of a friend of Allison's. He rocks it in his role.

A special shoutout goes to Hazel Brooks as Daphne. First of all, she's gorgeous. Secondly, her voice is surprisingly deep. And that, combined with her glamourpuss aesthetic elevates her dialogue to a deliciously campy level. EVERY LINE SHE SAYS has this undercurrent of vampiness that I LOVED. I do wished the movie had been from her point of view cuz she was a lot of a lot.

This next thing is something that really surprised me abt the movie. Because there was a moment where Bruce and Allison go to Bruce's brother's wedding. His brother, Jimmie (played by Keye Luke) is Chinese American. The wedding is fully Chinese. As far as I could tell, I didn't see anyone in yellowface. FTR, I'm not Chinese, so take my lack of squickiness because I didn't pick up on any blatant or oblique racism against Chinese folks with a tiny grain of salt.

Douglas Sirk and Joseph A. Valentine, his cinematographer, KNEW what kind of movie they wanted to shoot. The majority of the film takes place in Allison and Richard's 3-story brownstone that has a gorgeous terrace. Throughout the movie, there's excellent use of SPACE. Frex, there were scenes where characters would be looking for someone who happened to be hiding up on the 3rd floor. Also some scenes of ppl going up and down the stairs that truly worked. There's a good sense of how tall and expansive the home is (which includes a conservatory.)

The story is okay. It's watchable.


Do I have any criticisms?

I have 3, but two of them are SPOILERS.

Again, keep in mind that I'm gonna spoil HUGE THINGS abt this film

SPOILER 1

By the end of the first 10 minutes, it was super clear that the main plot was one of intense gaslighting. NGL, that made me lose some interest in the movie a little.

SPOILER 2

The potential romance between Allison and Bruce was poorly handled.

OK, so iMO, Allison did love her husband, but it was more of the kind of love someone has for a friend. However, she'd only known Bruce for abt a week. And yet they not only had excellent chemistry but, whenever they talked, Allison would GLOW. She'd come alive regardless of the conversation topic. It legit didn't matter if it was the weather, food, his friends, etc cuz it was their INTERACTIONS that livens her up.

OFC, since she's married, though, the movie gets as close to the edge of the line that she'd have to cross into infidelity as it can get. By the end, Allison and Bruce as holding each other and it's super clear that they'll be together, but they had so much sparkage that it drove me nuts that they never kissed. END OF SPOILERS

The third one has to do with Det. Sgt. Strake (played by Raymond Burr). As soon as he showed up, I perked the F up because he's one of my faves. Unfortch, he's deffo a background character who only pops up in two scenes. :|


Do I recommend it?

I do . . . if you have an hour and a half to kill? Some of the romantic aspects are much subtler than I'd generally liked and the mood was a bit uneven. It's online. I give it a 2.4 out of 5.


Queerness level

Zip.